The most recent Korean drama, Agency, is one that is sure to keep audiences riveted to their televisions on weekend evenings
This is a drama about the workplace that follows the lives of a woman who rises through the ranks of an advertising firm to become the first female executive in her company.
In this cutthroat sector, the show will highlight the tale of the people who labour behind the scenes, including their hardships, dreams, and the force that propels them to succeed.
Expect a genuine picture of the problems that people who live passionately chasing their ambitions at an advertising business face on a day-to-day basis, as that is what the developer of the show promises to deliver.
If you’ve been paying attention to this one, you might be wondering when the next episode will be made available to watch online. Well, wonder no longer!
Agency Season 1 Episode 9: Where to Watch?
This is an original production from JTBC, and it may be seen on the weekends. Regrettably, there is currently no information available regarding streaming on a global scale. On the other hand, if that were to alter, then we would make it a point to update this area.
Agency Season 1 Episode 9: Release Time
The ninth episode is scheduled to be released on February 4 at 10:30 p.m. local time (KST).
It is reasonable to anticipate that Episode 9 will last approximately 1 hour and 10 minutes, which is in line with the duration of the other episodes of the show.
It is anticipated that there would be a total of 16 episodes in the first season of Agency, with a release schedule of two episodes every week.
The first episode debuted on the 7th of January, and the final episode is scheduled to appear on the 26th of February, barring any delays that may occur in the broadcasting process. Keeping all of this in mind, there are a total of eight more episodes that will follow this one.
Agency Season 1 Episode 9: Trailer
Indeed, JTBC has recently provided the world with its very first glimpse at the show. Watch the promotional video down below:
Agency Season 1 Episode 9: Cast
Choice requires both the ability and the motivation to exercise one’s agency. Agency really is that straightforward, but a surprising number of beginning authors get it wrong.
When we’re in the middle of drafting, it’s natural to conceive about a story in terms of its plot: what takes place to the characters (explosions! deaths! broken relationships!). However, this is a highly dangerous way of approaching the writing process.
There is nothing that encourages a reader to put a book down more quickly than a character who simply stands by and lets things happen to them.
These individuals come across as shells or puppets, cardboard cutouts that the plot is moving around arbitrarily, and it’s a bit disconcerting. Instead of the other way around, the plot should revolve around your character.
When we read books, we are able to experience life from the perspective of another person. Story, in the words of author Lisa Cron, is “how the things that happen in the narrative affect the protagonist, and how he or she evolves internally as a result of those events.”
Your readers aren’t very interested in what is taking place outside of your characters’ control (the plot), but they are interested in what the events of the plot mean to your characters and how they will react to those events. Giving your characters agency is the only way to accomplish this goal successfully.
In each and every scene, your characters should find themselves at a fork in the road.
You’ve probably heard the expression “actions speak louder than words.” Making decisions is the single most important factor in determining one’s character.
When your characters are at a fork in the road and trying to figure out which path to take and what the consequences of each option will be for them, that is when we get the best sense of who they really are.
Each and every scene should present your characters, and especially your main character, with a problem to solve.
The decisions they have to make should be challenging, and the consequences of those decisions should be illuminating.
Make sure there are actual consequences for each of the choices they can make (and continue to ramp up these consequences as the story progresses!).
Also Read: Is the Series The Watcher on Netflix Based on a Real-Life Event?
Agency Season 1 Episode 9: Plot
Bring your main character face to face with the moral or point of your story.
It is essential that you give careful consideration to the challenges that you place in front of your characters. Make use of them to have your main character engage in discussion with the major theme of your story.
For instance, if the moral of your novel is that “Cheating only leads to loss,” then the main character in your story should make a choice between cheating and acting with integrity in practically every scene. (From the blog post titled “What’s the point of your story?”)
According to the aforementioned remark by Lisa Cron, a story is about how the main character “changes internally throughout the course of time.” The decisions that your character makes will illustrate the shift that occurs on the inside of them.
They won’t always pick the greatest or most appropriate option; in fact, they shouldn’t, because the point of this reading is to learn how their preferences shift as the story progresses.
For instance, a character in a story about honesty versus dishonesty might start off dishonest but change their ways over the course of the narrative (despite experiencing unavoidable obstacles that lead to terrible outcomes!).
Example: One of my customers is now working on a young adult fantasy narrative about how lying about your faults only makes things more difficult.
When she came to me, she was aware that her draught was not functioning properly, but she was unable to determine why. After dissecting her scenes, we came to the conclusion that the initial chapters of her story lacked agency.
Her persona, which had been keeping a terrible secret about a mistake she had made in the past, was being coerced into an opportunity to make amends for her transgressions.
After we changed that moment from an obligation into a choice (with significant repercussions for either outcome), her character’s need for atonement increased by a factor of 10. Despite her horrible history, all of a sudden she became someone the reader could genuinely get behind and cheer for.
Following the modification of these early decisions, we sketched out the remaining crossroads in the novel and made it a point to ensure that the character would always be presented with the option to either lie or reveal the truth at each one of these points.
William Gibson, who is of American and Canadian descent, is the author of the science fiction novel Agency, which was published on January 21, 2020.
Agency Season 1 Episode 9: Review
- It is a “sequel and a prequel” to his previous novel, The Peripheral (2014), and it makes use of the technology from that novel to explore an alternate 2017 in which Hillary Clinton was victorious in the 2016 presidential election.
- Throughout the course of the narrative, the idea of the “Jackpot,” which is a component of The Peripheral’s backstory, is investigated deeper.
- One storyline takes place in an alternate 2017 and focuses on a young lady named Verity who works for a start-up company in San Francisco. She is responsible for testing a new type of avatar software that was developed by the military. A second story arc focuses on characters living in a post-apocalyptic future interfering with events in the year 2017.
- CBC Books has included Agency on its list of notable upcoming works of Canadian fiction for the spring of 2020. It had been anticipated that it will be released some time in January of 2018.
- Weekly reviews of recent books that are important to the advertising profession have been published on The Agency Review.
- This website features reviews not only of traditional business books, but also of books that reflect, relate to, or concern the larger culture that advertising engages with. This is due to the fact that we believe that advertising is the place where business, art, and culture collide on a daily basis.
- Since its inception, we have evaluated over 190 volumes, covering topics as diverse as humour, history, music, memoirs, autobiographies, and even works of fiction. Some of the authors we have covered are Ogilvy, Hopkins, and others.
- In addition, each year we also publish a special edition of our “Year in (The Agency) Review,” in which thought-leaders share what they read in the previous year that they adored, what they hope to read in the following year, and what they wish someone would write because they’d read it in an instant if it were written.
- In 2013, we began providing exclusive monthly content that was only accessible to subscribers. This included interviews with authors whose works we have previously critiqued, as well as a feature called “Backstory,” in which industry professionals discuss what they are presently reading and why.
- In addition, Business Insider named us one of “The 30 finest people in advertising to follow on Twitter” the same year.
- Please get in touch with us at theagencyreviewATgmailDOTcom if you have a book that you’d like us to review, if you’re an agent with an author that you’d like us to interview, if you’re hosting an event that you’d like us to speak at, or if you’re just interested in advertising with us. We’d love to hear from you!
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