Review of “The Last of Us” episode 4: Joel and Ellie’s connection deepens while a new adversary develops. ‘The Last of Us’ still of Pedro Pascal and Bella Ramsey (HBO)
California’s Los Angeles The Last of Us’ superb episode from last week focused on Bill and Frank’s lovely relationship and how they survived the post-apocalyptic world using nothing but love.
Joel learned from the letter he and Ellie discovered at Bill and Frank’s home that he needs someone to take care of in order to survive in this harsh world.
In the most recent episode, Joel learned more about Ellie (Bella Ramsey), and as a result, we witnessed how he began to defend her as though she wer
Although some viewers may find this episode to be a little slow, it still manages to keep the excellent quality that “The Last of Us” has grown to be known for. In the most recent episode, “Please Hold My Hand,” Joel (Pedro Pascal) and Ellie continue their trip while making plans for the future.
They pause for a rest among some trees and stay there all night. The next morning, they start the trek and Joel encourages Ellie to keep looking at the map so that they might discover the easiest way to Wyoming.
However, things turn peculiar when they find that a tunnel leading to the motorway has been blocked by a lot of vehicles. After having a look at the surroundings, Joel suggests that they need to take an other path and go back to the road.
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The Last of Us: Joel and Ellie’s Connection
But when Joel realises that they are in danger because members of the gang known as “The Hunters,” which is being commanded by Kathleen, are surrounding them, everything goes upside down (Melanie Lynskey).
A man attempts to seek assistance from them as they begin to drive away from the scene by appearing as though he is hurt. Joel felt this was a trap, and that is exactly what it was.
A few of the group’s members ambushed them, forcing them to abandon their automobile. Thankfully, Joel and Ellie managed to kill them, but they would now need to keep moving in order to stay safe.
Although there are no action-packed scenes in this episode, it nevertheless manages to create a thrilling mood and sets up the events that will take place in the following episodes.
However, as they both continue to develop as people, it is enjoyable to see the relationship between Joel and Ellie. The pair has also begun to cooperate and show concern for one another.
Kathleen, the merciless captain of “The Hunters,” was also presented to the audience in “Please Hold My Hand.” The persona possesses both mercy and vulnerability.
She looks like a fantastic addition to the show, and having her implies that Joel and Ellie will encounter many risky and challenging circumstances in the upcoming weeks. Naturally, we would want to see Kathleen and Joel at odds with one another.
It’s fun to watch Joel and Ellie’s relationship develop.
The “embarrassingly humorous” gags Ramsey tells during the episode are brutally excellent and demonstrate why she is still the heart and soul of the programme. Ellie makes Joel giggle with her “No Pun Intended: Volume Too” and lightens the mood.
That is exactly what we had hoped to see from the start. Pedro Pascal, in contrast, is absolutely captivating. There isn’t a single flaw in his portrayal of Joel.
However, Melanie Lynskey’s portrayal of Kathleen steals the show and makes a fantastic addition to the cast. We are interested to see how this persona intensifies the tension between the two of them and the audience.
Overall, “The Last of Us” Episode 4 concentrates more on the build-up and teaches viewers a lot about the neighbourhood and its residents. Joel and Ellie’s friendship gets stronger, and they are becoming more intimate. However, in order to have an impact that lasts, we would undoubtedly want “The Hunters” to be as captivating as they were in the game.
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The Last of Us: Episodes
It appears for a significant portion of “The Last of Us” episode this week that not much will happen and that we may only get to see “The Chill Road-Trip Adventures of Joel and Ellie” this week. They take in a little Hank Williams.
Ellie learns how to syphon gas from parked automobiles from Joel, but she gives him a wicked smirk and says, “You don’t know,” when he clumsily tries to explain the physics involved.
They consume some Chef Boyardee ravioli from 20 years ago. (It’s great!) Ellie taunts Joel with quips like, “What did the mermaid wear to her math class?,” after she uncovers a book of puns at a petrol station. An algal bra
But the fun can’t stay forever. About a third of the way into the episode, our heroes encounter a blocked road in Kansas City. As they attempt to find a different route through the city’s downtown, they are ambushed and subsequently caught in the crossfire of a militia’s power struggle.
They wreck Bill’s truck in the first brawl. They probably should have passed through Des Moines, taking everything into account.
By the time the credits start to roll, there is still a lot we don’t know about the situation Joel and Ellie are in. We are aware that the K.C. militia is based in a Quarantine Zone that FEDRA abandoned and that its armoured vehicles have the slogan “WE THE PEOPLE.”
We are aware that its head Kathleen (Melanie Lynskey) executes her former family doctor due to her extreme coldness.
We are aware that Kathleen is on the hunt for FEDRA “collaborators” and that as part of her mission, she is hunting for Henry, who is with Sam: a young youngster who, allegedly, draws pictures of both Henry and himself as superheroes.
We are aware that Henry and Sam were lately hiding out in a structure whose concrete base is cracking and buckling, possibly as a result of subsurface cordyceps/infected activity. We also know that Joel and Ellie will have to deal with the two firearms next week after the episode’s cliffhanger.
The Last of Us: Review
- What mattered most to the story this week was that the problems in Kansas City deepened Joel and Ellie’s friendship, causing them to be more honest with each other, which is a very safe assumption given that there are still five episodes left.
- After shooting his way out of the immediate danger, Joel is then attacked by an assailant who almost kills him by choking him. Ellie shoots the attacker but doesn’t kill him since she can no longer conceal her gun. One of the cats is now out of the bag.
- In an obvious attempt to humanise himself, the attacker introduces himself as Brian and begs for his life before telling Ellie: “We can exchange with you! We can get along!” — Ellie feels hesitant to kill him.
- Joel, though, has experience playing the game of survival. Elle’s gun is taken away by him, and he orders her to hide behind a wall so she won’t witness the brutality of his knife attack.
- More candour is forced to the surface by the situation. Joel discovers that Ellie is not the wide-eyed innocent he believed, which makes him lament the burden he presumes Ellie must feel for having shot someone for the first time.
- In reality, she has harmed someone in the past. He must be truthful with himself and admit that he clearly needs her more than he intended to, especially given her willingness to shoot.
The Last of Us: Plot
Unfortunately for them both, who is that Brian? It was certainly a very good sign that his mother was Kathleen when he offered to take them to her before passing away. (Her subdued response upon seeing his lifeless body more or less supports it.) There is no way that won’t bother them later.
By the end of the episode, as they ascend 33 flights of stairs in a skyscraper in search of a secure place to sleep, Joel and Ellie have grown more confident in their ability to defend one another.
Naturally, this is when two new gun-wielding figures, one of whom appears to be in his 20s and the other merely a boy, awaken them in the middle of the night. Given that the younger one is sporting a painted-on superhero mask, they are most likely Henry and Sam.
This kind of existential danger was present even when Joel and Ellie were simply driving along largely empty roads and making jokes. Even though, they were unable to rest without constantly fearing that something or someone was waiting to end their trip nearby.
Ellie plays a crucial role in this drama because of Bella Ramsey’s multifaceted performance. She is not fearful; rather, she is appreciating the life she still has.
She has a surprising amount of pre-apocalyptic knowledge, enough to be able to make jokes about the gay porn magazine she discovers in Bill’s van.
However, she also romanticises the past overly. Ellie enthusiastically enquires, “Where did you go?” after Joel mentions how in the past the gasoline supply hadn’t run out and people could drive for more than an hour on a full tank. “Pretty much nowhere,” was the response.
At one point, Joel explains that he maintains living “for family” even though he doesn’t think this fallen planet can ever rise again, while simultaneously adamantly informing Ellie that she is simply “freight.”
It’s difficult not to find Ellie endearing, but it’s evident that his attitude is changing. It’s become more than just a duty to collaborate with her.
Of course, people like Kathleen have families of their own. There’s a good chance that things will get trickier.
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